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Although you might not want to create such large files, higher bit-depth means more tonal and color information in the final image file. This provides more latitude for adjustments to the image, helping to ensure smooth gradations of tone and color in the image even after significant editing. Additional recommendations will be provided on working with 16-bit color in Chapter 9. Film scanners usually include sophisticated scanner software packages (discussed in the “Primary Scanner Features” section).

A Shutter Priority mode is also common, and this feature allows you to set a fast or slow shutter speed, while the camera sets a correct aperture. Some cameras also include a fully manual mode that requires you to set both the aperture and shutter speed, guided by some indicator provided by the light meter. This feature is slow to use and is intended only for the most-experienced photographers. White Balance Control All digicams include an Auto White Balance feature that automatically adjusts for the type of ambient light: sunny, cloudy, household lamps, and so on.

Also, high-quality film scanners, particularly those that accept medium-format negatives and transparencies, are expensive. Nonetheless, if you primarily need a scanner for digitizing many 35mm slides and negatives, save up for a dedicated film scanner. A flatbed scanner with a transparency adapter can be versatile, allowing you to scan prints as well as negatives and transparencies of all sizes, typically up to 4 × 5". If you generally scan medium-format or larger film, you may not need more than 2400 × 4800 dpi resolution even for making 16 × 24" prints.

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